The New Digital Storytelling
Author Archives: Bryan Alexander
Thank you for stopping by. This is the archived blog in support of The New Digital Storytelling. For a couple of years I used this to share digital stories and to explore these new narrative forms. I’m no longer updating the … Continue reading
Seattle Noir is another Twitter-based storytelling project. Microstorytelling, really, as each bit of story consists of a single Tweet. Said Tweets combine noir fiction (plot and/or style) with life in Seattle, flagged by the hashtag #SeattleNoir. For example, Or: Twitter … Continue reading
“Snow Fall” is a fascinating experiment. It’s the story of an avalanche in the American northwest. That story appears in text format, along the lines of long-form journalism. But “Snow Fall” also includes well done, nicely selected multimedia, including a 3d … Continue reading
“howling dogs” is a splendid new piece of interactive fiction. The plot concerns a person charged with visualizing certain scenes. I phrase this in such a vague, cold way in order to save you the pleasure of exploring its unsettling … Continue reading
Transom has a nice piece explaining Cowbird. It’s a good introduction. The article also gives us a good sense of how far Cowbird has come. Now it has a library. Now it’s a multimedia storytelling first-step tool.
“First Draft of the Revolution” is a Flash-based epistolary story. The reader/player helps letter-writers revise drafts. Each page develops the story: (via MetaFilter)
Two Middlebury College students used digital storytelling tools to explore central Vermont. Here’s a sample, their discussion with a dairy farmer. This was one project from Peter Lourie‘s series of adventure writing classes.
Alan Levine offers this microtale of American Gothic, “A Model City“, using the Cowbird digital storytelling service. Look at how neat the mayor’s house is, with the shiny brick facade and the rows of roses down the path. Out in … Continue reading
Emily Nussbaum sings the praises of cliffhanger narratives, from early film serials to tv soaps. It’s a celebration of the segmented form (which I touch on in chapters 3+5). Nice observation on cliffhangers in digital media: In the digital age, … Continue reading